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Milch pours a bit of himself into all of his characters, but Swearengen got more of his creator’s spirit than anyone else ever has, and that sadly continues here. Every moment Ian McShane is on screen is informed by Milch’s health problems.
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The film’s self-aware nature extends well beyond the idea that the full ensemble is reuniting for the first time in years. Merrick running the auction for Charlie’s land? Because leaving him to just take the perp walk photo of Hearst wouldn’t have felt like quite enough. Why is Con Stapleton now the town minister? Had to give him something to do here, and there’s historical precedence of a former Cy Tolliver henchman becoming a man of God. Others play more blatantly as excuses to shoehorn in old favorites. Wu (who now speaks a bit more English) trying in vain to get Al to try his herbal remedies. Some of the supporting players get moments that feel significant and true to character, like Mr.
#Deadwood season 3 summary series#
Molly Parker could only fly down from Vancouver (where she was filming Lost in Space) on weekends, so Alma’s presence feels more like a notable cameo than the full arc someone so important to the series deserved. The desire to bring back as many former regulars as possible, coupled with the logistical challenges of doing so, contributes to this occasional sloppiness. It’s unclear whether Hearst has been back at the camp since he rode out at the end of the series finale, “Tell Him Something Pretty.” But even if this is his first return visit, Trixie’s outburst plays more as something Milch simply needed as an inciting incident, rather than something even the show’s most impulsive character (and an extremely pregnant one, at that) would absolutely do in that moment. The story feels hastily glued together in spots, like Trixie’s rant at George Hearst alerting him to the fact that Al pulled a fast one on him back in the series finale. What made the show great was spending time with these characters.” This holds true in the film. As Timothy Olyphant told me, “My recollection of what made the show great was never the plot. David Milch’s improvisational approach to writing the series meant that it was often stronger in individual moments than as a long-form narrative.
#Deadwood season 3 summary movie#
The movie is not a flawless piece of work - but then, neither was the show.
And this great series having so lived in recollection, it is my considerable happiness to see it again.īlack Sabbath on the Making of 'Vol. Deadwood: The Movie feels as much about the experience of bringing the show back to life as it feels about this particular story. It’s not just Alma’s line, but the film opening with Calamity Jane saying, “Ten years gone,” or Charlie Utter reacting to Alma and her daughter Sofia’s arrival with, “What a grand surprise after such a piece of time.” It’s Al Swearengen asking Seth, “Where you been, Bullock?” (“Right up the fucking road, Al,” Seth quips.) It’s everyone reflecting on the passage of time - of Al being sick, of Cy Tolliver being dead and gone, of some figures like Jane being stuck in emotional stasis, while others like Seth have changed considerably since last we saw them. This movie, though, can’t help but feel self-aware. In its original run, Deadwood didn’t have much use for meta commentary.
As a woman of means, though, Alma has experience making small talk in the most uncomfortable of circumstances, and she sincerely tells him, “You having so lived in recollection, marshal, it is my considerable happiness to see you again.” Their feelings for one another remain intense, but Seth has long since recommitted to his wife Martha, and neither knows quite what to say to the other. Įarly in Deadwood: The Movie, former lovers Seth Bullock and Alma Ellsworth share an awkward reunion at the hotel Seth owns with Sol Star.
This column contains full spoilers for Deadwood: The Movie.
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